Reaction Paper in Globalization and Its Discontents Face the Heat

There has been much said about globalization and its possible outcomes, including the positive ones, such as the opportunity to expand worldwide for literally any organization, and the negative ones, such as a steep rise in the prices for such crucial products as oil.Advertising We will write a custom critical writing sample on Reaction Paper in Globalization and Its Discontents: Face the Heat specifically for you for only $16.05 $11/page Learn More Indeed, like many other events of a truly massive scale, globalization cannot be viewed as fully positive or, on the contrary, a completely negative process. It certainly has its issues, which will, doubtlessly, trigger a negative aftermath; still, it is important to admit that globalization also has a significant economical, political and financial value, opening huge prospects for the development of all states of the world. There is no doubt that the effects of such a massive process as globalization are go ing to sweet the entire world, therefore, having effect on the political, financial and economical state of every single state. However, Sassen offers another way to view the aftermath of the globalization process; stressing that globalization is bound to shape the infrastructure and politics of the world’s major cities first, the author invites the audience to check the supposed outcomes of globalization, both positive and negative, as well as the ones that have already become evident. While Sassen delivers his argument concerning the new centrality of the economic operations in a clear and very straight-forward fashion, by focusing on primarily large cities and disregarding the effect that the globalization process will have on the smaller ones, Sassen makes it clear that the globalization will not contribute to the integration of a whole state into the world economic process, thereby, denying the key principle of globalization, i.e., the overall involvement into the econom ic cycle. It would be wrong, however, to claim that Sassen’s argument boils down to the idea that large cities are going to make the bulk of the economy in the globalized environment.Advertising Looking for critical writing on social sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More In addition to stressing the role of large cities like New York, Sassen also offers a deep introspective on the specifics of the globalization process within urban setting. Considering the example of such a city as New York, one can possibly evaluate the strengths and weakness of Sassen’s work. As Sassen explains, to get prepared for the changes of such scale, the humankind will have to work on the strategies that will help overcome the shock that will inevitably follow the analysis of the changes brought upon the world by globalization. According to Sassen, creating a transactional system of alliances can be viewed as an opportunity to make the effects of globalization less drastic. Sassen claims that â€Å"We must develop a transactional system of alliances if we are to deal with a political economy that, while it is rooted in national regimes, increasingly escapes national regulation† (Sassen, 1998, XIV). In the given statement, Sassin stresses the contradictory nature of the globalization process, thereby, questioning the viability of globalization as a process that is going to take place on an international scale. When considering an example of a large city like New York and comparing it to a city of a considerably smaller influence, like Hoboken, one must agree that, compared to new York, Hoboken will be regarded as the city of minor importance after the globalization process is over. The given event, however, is likely to lead to the decay of farming, fishing and forestry industries, which Hoboken is responsible for (Greenland Sheldon, 2007).Advertising We will write a custom critical writing sample on Reaction Paper in Globalization and Its Discontents: Face the Heat specifically for you for only $16.05 $11/page Learn More It is also rather impressive that, along with stressing the international and even intercultural nature of globalization, Sassin makes it clear that in the end of the process, globalizing forms of elite culture are highly likely to appear, therefore, re-stating the hegemony of a specific nation and, thus, its culture (Sassin, 1998). Therefore, Sassin emphasizes that even at the end of globalization, equality among states will not be achieved; instead, each of the states will be given equal opportunities for changing its economical, financial and political strategy. Although the given argument seems rather reasonable, it still leaves many questions unanswered, such as whether the significance of agriculture is going to drop in the realm of globalization, since the minor states, which are typically responsible for the agriculture devel opment, will lose their significance; and, if it does, what alternatives can be provided. Again, considering the example of New York and Hoboken, one must agree that the former has much more potential, yet the latter has more natural resources; therefore, abandoning the development of smaller cities will leave such major ones as New York without primary supplies for producing goods and services that people need for everyday life. Without a proper emphasis on smaller cities, New York will gradually die after being consumed by its own dwellers. Another issue that Sassen raises in her work, the concept of urban economy has also been brought up as the possible stumbling block for the further progress of the economy. As Sassen stresses, at present, a huge boost of private entrepreneurships can be observed, with rather predictable outcomes, i.e., a large variety of â€Å"firms, types of workers, types of work cultures, types of residential milieux† (Sassen, 1989, XXIV) appears; whi ch is even more important, the newly appearing concepts, types of businesses, new employee classifications, etc. is never registered on the global radars. Therefore, Sassen’s key concern must be that the process of globalization is likely to get out of hand soon, which will, in its turn, lead to confusions and misunderstandings in the economical sphere, as well as the possible crash of the global market.Advertising Looking for critical writing on social sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More As Sassen explains, while the recently coined concepts â€Å"may be essential to operation of the urban economy and the daily needs of residents, their survival is threatened in a situation where finance and specialized services can earn superprofits† (Sassen, 1989, XXIV). However, it can be considered that new businesses are much more viable and competitive than Sassen gives them credit for. It is important to realize that in the global environment, competitiveness will become the most important asset of an entrepreneurship. Therefore, getting companies ready for new competitive environment is crucial. That being said, stating that Sassen completely misses the point of globalization would be rather far-fetched; however, the author has clearly overlooked several details concerning the specifics of the globalization process, which might head the globalization process towards smaller cities and towns development. While globalization does presuppose that the major cities should serve as the links between the states of the world, it still involves a robust development of the smaller cities, since a number of important elements of state economics, like agriculture, often depend on such small elements. Nevertheless, it must be admitted that the paper provides a detailed overview of the changes that may happen to the world several decades later, especially in the sphere of the servicing network development. Providing a thorough account of the possibilities that globalization will open for the humankind in the future, Sassen offers a very solid statement worth taking into account. Reference List Greenland, P. R. Sheldon, A. L. (2007). Conservation and environment. New York, NY: InfoBase Publishing. Sassen, S. (1998). Globalization and its discontents. New York, NY: The New Press. This critical writing on Reaction Paper in Globalization and Its Discontents: Face the Heat was written and submitted by user Thunderball to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Free Essays on The Fixer

The main character of The Fixer is Yakov Bok, whose name, appropriately, means "goat" in Yiddish. He is an impoverished, unfortunate and unhappy fix-it man from a small Jewish shtetl in the Russian countryside near Kiev. In six years of marriage, his wife bore him no children, so he stopped sleeping with her. She soon ran off with a goy she met in the local tavern. As the novel opens, the fixer gives voice to his disgust with his life as he explains to his father-in-law why he is leaving the shtetl to try his luck in the big city of Kiev: â€Å" I've had to dig with my fingernails for a living. What can anybody do without capital? What they can do I can do, but it's not much. I fix what's broken except in the heart. In this shtetl everything is falling apart...And who can pay to have it fixed let's say he wants it, which he doesn't. If he does, half the time I work for nothing. If I'm lucky, a dish of noodles. Opportunity here is born dead... I don't want people pitying me or wondering what I did to be so cursed. I did nothing. It was a gift.† This passage sums up much of Bok's self-understanding at the beginning of the novel. He is a poor man who has had bad luck all of his life, and who has done nothing to deserve either his poverty or his misfortune. Disgusted with the sorry state of the "chosen people," he has given up his belief in the God of his forefathers. Bored, and frustrated by the poverty of the shtetl, he has decided to try to change his luck by leaving in search of "a new life." Bok plans to shed his past in order to start anew. Before leaving the shtetl, he shaves his beard to change his appearance. His father-in-law, Shmuel, gives him a package with a prayer-shawl and tefillin, but Bok drops the package into the Dnieper on the way to Kiev, symbolically rejecting his own Jewishness. In order to take a job offered him by an anti-Semite, he assumes a false name. In these and other ways, Bok hopes to lea... Free Essays on The Fixer Free Essays on The Fixer The main character of The Fixer is Yakov Bok, whose name, appropriately, means "goat" in Yiddish. He is an impoverished, unfortunate and unhappy fix-it man from a small Jewish shtetl in the Russian countryside near Kiev. In six years of marriage, his wife bore him no children, so he stopped sleeping with her. She soon ran off with a goy she met in the local tavern. As the novel opens, the fixer gives voice to his disgust with his life as he explains to his father-in-law why he is leaving the shtetl to try his luck in the big city of Kiev: â€Å" I've had to dig with my fingernails for a living. What can anybody do without capital? What they can do I can do, but it's not much. I fix what's broken except in the heart. In this shtetl everything is falling apart...And who can pay to have it fixed let's say he wants it, which he doesn't. If he does, half the time I work for nothing. If I'm lucky, a dish of noodles. Opportunity here is born dead... I don't want people pitying me or wondering what I did to be so cursed. I did nothing. It was a gift.† This passage sums up much of Bok's self-understanding at the beginning of the novel. He is a poor man who has had bad luck all of his life, and who has done nothing to deserve either his poverty or his misfortune. Disgusted with the sorry state of the "chosen people," he has given up his belief in the God of his forefathers. Bored, and frustrated by the poverty of the shtetl, he has decided to try to change his luck by leaving in search of "a new life." Bok plans to shed his past in order to start anew. Before leaving the shtetl, he shaves his beard to change his appearance. His father-in-law, Shmuel, gives him a package with a prayer-shawl and tefillin, but Bok drops the package into the Dnieper on the way to Kiev, symbolically rejecting his own Jewishness. In order to take a job offered him by an anti-Semite, he assumes a false name. In these and other ways, Bok hopes to lea...

Economic Development of Japan after World War II Essay

Economic Development of Japan after World War II - Essay Example This essay presents a comprehensive historical analysis of the reasons behind the Japanese post-war economic miracle. Japan was among the few countries that suffered the brunt of the Second World War. The atomic bombs that hit Japan’s cities of Hiroshima and Nagasaki did not just leave rubbles but also typified the effect of the war in the country. Nevertheless, after the war, Japan experienced a rapid economic boom. Soon after the war, the Japanese government implemented effective foreign relation policies, which enhanced the country’s interaction with various countries. Key among the countries was the United States. The expenses of the war threatened to cripple the economy of Japan. The post war inflation coupled with its inherent unemployment threatened the stability of the country. However, the United States formed friendly ties with the country by setting base in the country with the view to maintaining the spreading influence of the Soviet Union. The US provided the country with colossal amounts of money to help it restock and reinforce its military thus protect its borders from the Korean aggression. The money revamped economic activity in the country as the country made large-scale purchase of military equipment from both local and foreign companies. Such government spending enhanced the liquidity of the economy thus cushioning the country from the post war inflation. The US facilitated the inclusion of Japan into the GATT though as a temporary member, which enhanced its relationship with other western countries.

Toyota Strategic Analysis and Strategy Formulation Research Paper

Toyota Strategic Analysis and Strategy Formulation - Research Paper Example Strategic Management: Toyota Strategic Analysis and Strategy Formulation First, the company’s global vision is to â€Å"lead the way to the future of mobility, enriching lives around the world with the safest and most responsible way of moving people† (Toyota-global.com 2011). Further, this vision is based on the commitment to quality, high innovativeness and respect for the earth. From the company’s vision, it is clear that Toyota seeks to be the industry leader way into the future. The company’s mission statement is â€Å"To sustain profitable growth by providing the best possible customer experience and dealer support†. The mission and vision statements reveal that the company’s current and future are pegged on sustainability, quality and customer satisfaction. The company’s range of guiding principles involve honouring the every nations law to be a true global corporate citizen, respecting customs and cultures around the globe, production of cleans and safe products, outstanding products through technology, fostering individual creativity and teamwork through an appropriately enabling corporate culture, harmonious growth with the global community and healthy cooperation with stakeholders. From these objectives, it can be discerned that Toyota seeks to remain within the law at all times, provide quality and safe products, respecting the environment and the community while balancing this with stakeholder interests. These principles also indicate the time-tested ethical inclination of Toyota; sustainable development and respect for environment and harmony in the company’s work environment. Internally, the company not only seeks to comply with all labor and employment laws and regulations but goes a step further and establishes a culture for its employees based on mutual trust and mutual responsibility (Toyota Motor Corporation 2006, p. 8). The company’s values are integral in attainment of its objectives as it seeks to fulfill its mission and drive towards the established vision. Internal Analysis of Toyota The review of Toyota’s internal resources will follow the format of first establishing the strengths of the company and then the weaknesses. This will then be followed by an analysis of Toyota’s product development and a value chain analysis of Toyota’s operations. Strength: Organisational- The â€Å"Toyota Way† Toyota has successfully implemented their widely recognized â€Å"Toyota Way† strategy in all its global business operations. This strategy is based on operational excellence through a 4-P model; philosophy, process, people and problem solving. Philosophy is anchored on long-term thinking; process on waste elimination; people on respect, growth and chall enge; and problem solving through the concept of continuous improvement. The resultant effect of this strategy is organizational performance excellence due to sustenance of high quality that not only attracts customers but also makes them loyal (Liker 2004, pp. 1-2). The â€Å"Toyota way† is a clear strategic strength since it is tailor-made for the company as evidenced by the fact that most of the other operational excellence strategies pursued by organizations around the world were developed from it, including the popular â€Å"

The Therac-25 and Its Accident Investigation Case Study - 1

The Therac-25 and Its Accident Investigation - Case Study Example When u fix an old bug, it is highly likely that anew bug will develop. After fixing a bug, there is only a fifty per cent chance that the particular program will function over a similar length of time before failing, the same way it did before the bug was rectified. This means that the manufacturer’s claims that the machine’s safety was improved after it was fixed were totally unfounded. The manufacturer’s claim that the machine could never break down, even after getting and rectifying numerous problems was groundless. So long as the manufacturer had the conviction that the machine could never cause an overdose of radiation, they would not notice any deficiencies in their machine. As much as many people would love to point fingers at the manufacturer as the cause of the Therac-25 accidents, the technicians and operators who operated the machine also made some mistakes which caused the accident. For instance, it was somehow strange that the operators of the machin e got comfortable running the machine despite the regular error notices it issued. The machine normally issued forty error notices in a single day. This was bad since the cost of the Therac-25’s failure may possibly be death and it was the operator’s responsibility to insist for a properly functioning machine without faults. They could also have demanded a clear documentation that showed the machine’s errors and their possible causes. They also over relied on the safety statistics of the machine which were inflated as stated by the manufacturer. This made them not to investigate any overdoses possible hence putting the lives of the patients in danger. The federal government had a fair share of blame in the accidents because they knew that the manufacturer’s engineering practices were poor but still allowed the use of Therac-25. They seemingly had too much faith in the safety statistics that were posted by the manufacturer and therefore never took a keen i nterest in the safety precautions. The accidents were caused by institutional and engineering mistakes which could have led to even bigger disasters had the machine’s operation not been suspended. The manufacturer never had an independent review on the software code and therefore had not followed the right procedure. They never considered the software’s design when assessing the machine’s ability to produce the expected results and if there were any failure modes in its operation. The machine never explained any error codes so the operators just overrode the warning signs since they could not tell if there was an error or just a false alarm. The manufacturer never believed any complaints since there were overconfident that the machine would never fail, to make it worse, the hardware and software combination was never tested until after its assembly at the hospital. On the engineering side, the machine failed only when a non standard keystroke was entered on term inal VT-100. This machine never had hardware interlocks which could prevent the beam from running in high energy mode when the target was not in position. The programming engineer used software from an old model. The old models used hardware to cover their faults but could not report the faults hence leaving the machine to operate with the

Impressionism And The Work Of Debussy

Impressionism And The Work Of Debussy Debussy was a tonal trailblazer; a musical pioneer who revolutionised not only French music at a time when it was stagnating and receding from the world stage, but the entire Western musical tradition as well. Almost all subsequent styles which followed were either directly or indirectly affected by his originality, for example jazz, atonality and minimalism. After Debussys significant contribution to the repertoire nothing, to iterate a clichà ©, was ever the same again in musical terms. Nevertheless, it is precisely his striking innovation which has rendered Debussy so difficult to categorise. Musicologists encounter no trouble in labelling Mozart a Classical composer or Liszt a Romantic, yet how to catalogue Debussys oeuvres has presented critics with a conundrum for many decades; and is one, as yet, without a universally accepted solution. The most widely-utilised term in reference to the composers compositions is without doubt Impressionism, and is widely accepted by those who do not study music, and also by some who do, as a sole definition of his works. But can this label really encompass a compositional career that spans so many different styles and innovations? This essay will endeavour to answer this question, and to prove that Impressionism alone is not a fair assessment of Debussys music; that he is, despite there being characteristics from a number of aesthetic movements found in his works, almost impossible to classify. Debussys second envoi de Rome precipitated the first ever appearance of the tag Impressionism regarding his works. In a criticism of his orchestral and vocal piece Printemps (1887), the Secretary to the Acadà ©mie des Beaux-Arts opined: One has the feeling of musical colour exaggerated to the point where it causes the composer to forget the importance of precise construction and form. It is to be strongly hoped that he will guard against this vague impressionism, which is one of the most dangerous enemies of truth in works of art. This was a gross misunderstanding and misreading of Debussys intentions, and one which has stuck tenaciously and erroneously ever since. Before the reasons why this is such a misnomer is discussed, it must be acknowledged that it is possible to describe some of Debussys music as Impressionistic. Impressionism was first applied to painting as a label as a consequence of Claude Monets painting Impression, soleil levant (1872). Impressionism was a subsidiary of the wider notion of Realism. Stefan Jarocinski encapsulates the movement impeccably, explaining that Impressionists were concerned with seizing the image of a reality which had not yet been deformed by the intervention of the intelligence and wanted to create a pure impression; that is, unblemished by the sphere of intellect. The Impressionists, in short, were purveyors of sensuality. It must be understood that labelling Debussy in such terms is not entirely invalid. Although he was composing largely after the heyday of the Impressionist painters (the 1860s, 70s and 80s), some of his compositions (namely La mer [1903-05] and Images [1904-08]) do display qualities and tendencies associated with this movement. Debussy himself wrote to the editor of the La revue musicale, Emile Vuillermoz, in 1916, saying: You do me a great honour by calling me a pupil of Claude Monet. It is true to say that a number of the composers artistic principles correspond to those expressed or implied by the Impressionists. For instance, during a rehearsal for the premiere of La mer (1903-05), in answer to conductor Chevillard who had expressed confusion at Debussys specified tempo differing from that of the previous day, the composer replied: but I dont feel music the same way every day. On a wider level, this statement can be interpreted as being compatible with the common Impressionist pr actice of painting the same scene at different times of the day (for example, Monets Water Lilies or Haystacks). Several painters of the movement in question were inspired by similar stimuli as Debussy. A prime example of this is their admiration of Japanese artist Hokusai, whose celebrated woodblock print appeared on the cover page of La mer (1903-5), as stipulated by Debussy. Like the Impressionist painters, again, he made frequent use of water as an inspiration for his compositions. See below a juxtaposition of Sisleys Watermill at the Bridge of Moret in Winter (Ex. 1, 1893) and an extract from Debussys Reflets dans leau from the first volume of Images (Ex. 2, 1905). Note how the rising and falling semitone figure is an evocation of the ebbing and flowing movement of the water. Ex. 1 Ex. 2 In summary, Stefan Jarocinski, despite disagreeing with the application of the term in reference to Debussy, hails Impressionism as the supremacy of musical colour over form and design, an assertion that could certainly describe his musical convictions of other elements subservience to tone colour and the rejection of accepted traditional forms and harmonic principles. Even his biographer, Louis Laloy, claims that Debussys music is a purely auditory music, just as Impressionist painting is entirely visual. However, even Debussys so-called Impressionist pieces cannot be described as exclusively affiliated with this movement. For instance La mer (1903-05), although its depiction of the sea is obvious in its music as well as its title, cannot merely be interpreted as an entirely visual sensory experience, without connotation. As pianist Paul Roberts writes, the sea has often been used to represent themes of love and femininity. The time at which it was written was one of emotional upheaval for Debussy, as he left his wife Lilly Texier for another, Emma Bardac. Equipped with this knowledge, it seems that La mer occupied a deeper, psychologically cathartic purpose that lies beyond the intentions of the Impressionist painters. The Acadà ©mies comments on Debussys Printemps, and by extension, his other works, is an inaccurate, reactionary and narrow evaluation based on musical conservatism. The label, as argued by E. Robert Schmitz, has been detrimental to status of the composers works ever since. He laments that it has resulted in innumerable flawed and misguided performances with use of excessive pedal. His compositions are in fact anything but vague; they are precise and fastidious. In addition, conversely to the common misconception that his piano pieces are indistinct and laden with pedal use, he actually utilises the piano in a masterly way which shows a deep understanding of the instrument and its parameters. In contradiction to the common misconception as outlined by Schmitz, his music is often percussive rather than vague, for example the opening bars of La sà ©rà ©nade interrompue (Ex. 3, from Prà ©ludes, Book 1, 1909-10), which imitates a Spanish guitar, emphatically staccato. Further analyse s of his works reveal the use of Golden Sections, displaying a precision and mathematical element to his compositions that is quite extraordinary. Ex. 3 It must also be noted that Debussy himself rejected the unfortunate label assigned to him, as expressed in a letter to his publishers in 1908: I am trying to do something different in a way, realities what the imbeciles call impressionism, a term which is as poorly used as possible, particularly by art critics. Regarding this, it could be interpreted that the composer disagreed with the label itself rather than the aesthetic, as reality is precisely what the Impressionists hoped to convey. However, one must concede that if the composer wasnt himself happy with the term, and if his music rarely displays qualities which are characteristic of the movement, then it is accurate to say that defining Debussy as an Impressionist is not a valid categorisation. Almost as commonly circulated a term in reference to Debussy is Symbolism. This is a much fairer assessment of his music. The movement, which has its origins in the writings of Charles Baudelaire, grew quickly in Paris during the latter half of the nineteenth century. In brief, Symbolism was a reaction against Realism, and can be seen as almost the antithesis of Impressionism. Its followers were concerned with externalising, through the means of art, the internal, and often infernal, world of the mind, dreams and the supernatural. There is unimpeachable evidence to align Claude Debussy with Symbolism. To begin with, it was a movement rooted in literary origins. Debussy, despite being largely uneducated in any discipline but music, was well-read and had a passion for literature that permeated through to his compositions. His strongest influences were words and writers rather than the visual arts (although Symbolism wasnt exclusively a literary movement; it existed in art too). Debussy gravitated towards Symbolist beliefs, and forged close friendships with notable figures associated with the movement, such as Paul Bourget and Stà ¨phane Mallarmà ©, whose literary salon he was a regular attendee of. Much of his music was overtly Symbolist in character. Prà ©lude à   laprà ¨s-midi dun faune (1892-94), the orchestral tone poem that took his recognition to a new level entirely, is based on a poem by Mallarmà ©. Its whimsical flute opening (Ex. 4) is tonally and rhythmically ambiguous, portraying the indistinct dreams of the eponymous faun; a central theme in Symbolist philosophy. Ex. 4 There is plenty of non-musical evidence to support Debussys affiliation with the Symbolist movement. In 1901 he began to write for a Symbolist periodical, La Revue blanche, and his Chansons de Bilitis (1897-8), as well as their words being written by Debussys close friend and Symbolist Pierre Louà ¿s, was published by Librairie de lart indà ©pendant, a Symbolist publisher. Mediaevalism, or to be more accurate, pseudo-Mediaevalism, a core Symbolist credence, is prevalent in many works. The imitation of monastic organum music (Ex. 5) in the opening bars of La cathà ©drale engloutie (From Prà ©ludes, Book 1, 1909-10) is a prime example, as is the fact that Pellà ©as et Mà ©lisande (1893-5), is set in Allemonde (literally Other World), an imagined Mediaeval setting. Ex. 5 Pellà ©as et Mà ©lisande (1893-5), Debussys only opera, based on a play by writer Maurice Maeterlinck, heralds the zenith of his association with the Symbolist movement. It makes frequent use of symbolism (for example hair to depict eroticism; light and shade to provide conceptual symbols of doomed love). Parallels can be drawn with Wagner, whom Symbolists admired ardently, and who influenced Debussy greatly in the earlier years of his compositional career. Both Wagners Tristan and Isolde (1875-9) and Pellà ©as are tragedies, use leitmotivs and have common themes of love and death. Debussy was as enthusiastic a supporter of his predecessor as any Symbolist, having visited Bayreuth in 1888 and 1889. However, his Wagnerism and Symbolism waned soon after the first performance of Pellà ©as. Furthermore, in 1893 he declared his intention to write an article entitled The Futility of Wagnerism which, although it never materialised, suggests a marked shift in his values. This is why it i s as invalid to describe Debussys music exclusively in terms of Symbolism as it is Impressionism. Both labels represent only a fraction of his artistic output and fail to acknowledge that between Pellà ©as and La mer, a change occurred in his music that was reliant on neither poets nor artists, which could suggest that his own unique voice was finally established after years of musical exploration. In 1889 Debussy had an experience which was to significantly alter the nature of his compositions. During a visit to the Universal Exposition he encountered the sound of the Javanese gamelan for the first time. The pentatonic tonality he heard was to be incorporated into some of his most celebrated compositions, for instance in Pagodes from the piano triptych Estampes (1903), whose blue and gold cover evoking Japan, as well as music exemplifies the Exoticism that the composer incorporated into so many of his pieces. Debussys love of Spain filters through in the second movement, Soirà ©e dans Grenade, in which a habanera rhythm underpins the piece (Ex. 6). As well as Exoticism, it can be interpreted that Debussys music contains elements of the Pre-Raphaelite movement (La damoiselle à ©lue, 1887-8, the text of which was written by Dante Gabriel Rossetti) and even the Romantics (there are sometimes common themes between their beliefs and ideas expressed in Debussys compositions, for e xample escaping by means of travel and antiquity). Ex. 6 Debussy himself christened all labels useful terms of abuse, recognising the arbitrary nature of inflicting any sort of category upon his works. As Paul Dukas wrote in 1901: his music is unclassifiable. Debussy was a radical who defies classification because he is so different to his predecessors and encompasses so many different styles and movements, which is why musicologist encounter such difficultly in trying to pigeonhole him. Beethoven is often described as being both Classical and Romantic. Debussy was also a giant amongst composers in this sense, constructing a bridge between tradition and modernity and liberating harmonic convention. He instigated a musical transition; pre-empted the future. His legacy is far too great to describe in such narrow a term as Impressionism.

Violence in Video Games Essay -- Papers Violent Cause Effect Gaming Es

Violence in Video Games Do video games containing violence spark people of today to commit violent acts? Violence in video games are blamed for some of todays violent crimes. Some people believe that these crimes are committed due to playing a video game. Others believe that video games are a easy excuse for the violent acts, and keep America from looking deeper into the minds of people committing these acts. Video games are also thought to be a good way to take out some hostility. In Bernard Cesarone?s piece, ?Violence in Video Games,? it is shown that Nintendo itself sold over 10.4 million systems and 69 million video games. Cesarone also stated more than 33 million people own a Nintendo system presently. Ceserone mentioned that in the year 2000 the video game industry will make 6 billion dollars. Each household in the U.S. owns a video game playing device on average, and for those who do not own a game playing device, many are able to be played by the public in stores and arcades, states Cesarone. It is also know that video games do contain violence. Mike Snider?s piece, ?Violent Video Games With in Kids Reach,? shows researchers to find that 70% of 150 games studied did contain high levels of violence. Violence is put into games in different forms; punching, biting, kicking, and shooting with various weapons. Although it may not be the main objective to do these violent acts in all games it is awarded in many with points. Even sport games, which were fairly free of violence in early video game days, have found a way to make violence part of the games. Gary Baum?s piece ?Virtual Morality? emphasizes that 27% of games show violence upon females. Death and killing are all parts of video games today. When vi... ...ame can cause an act of violence. I do believe there may be some connection between violence in video games. Even though there are gradings for the games people under the age of playing a certain game may have access to it anyway. Games are blamed for violent acts as was rock-n-roll in early days. If people do the things they see in mass-media for the simple fact they witnessed them, those people need help whether it were video games or any other form of mass media which sparked a violent act. For that reason video games can not be made a sole violence creator. Perhaps they do give a child a wide imagination, which also can be a good thing or bad. I believe these games may give people ideas of a violent nature as do t.v. and other sources of mass-media, but in the end I believe it is more than the game which makes them actually do these violent asinine acts.

The Da Vinci Code Chapter 33-37

CHAPTER 33 Sophie's SmartCar tore through the diplomatic quarter, weaving past embassies and consulates, finally racing out a side street and taking a right turn back onto the massive thoroughfare of Champs-Elysees. Langdon sat white-knuckled in the passenger seat, twisted backward, scanning behind them for any signs of the police. He suddenly wished he had not decided to run. You didn't, he reminded himself. Sophie had made the decision for him when she threw the GPS dot out the bathroom window. Now, as they sped away from the embassy, serpentining through sparse traffic on Champs-Elysees, Langdon felt his options deteriorating. Although Sophie seemed to have lost the police, at least for the moment, Langdon doubted their luck would hold for long. Behind the wheel Sophie was fishing in her sweater pocket. She removed a small metal object and held it out for him. â€Å"Robert, you'd better have a look at this. This is what my grandfather left me behind Madonna of the Rocks.† Feeling a shiver of anticipation, Langdon took the object and examined it. It was heavy and shaped like a cruciform. His first instinct was that he was holding a funeral pieu – a miniature version of a memorial spike designed to be stuck into the ground at a gravesite. But then he noted the shaft protruding from the cruciform was prismatic and triangular. The shaft was also pockmarked with hundreds of tiny hexagons that appeared to be finely tooled and scattered at random. â€Å"It's a laser-cut key,† Sophie told him. â€Å"Those hexagons are read by an electric eye.† A key? Langdon had never seen anything like it. â€Å"Look at the other side,† she said, changing lanes and sailing through an intersection. When Langdon turned the key, he felt his jaw drop. There, intricately embossed on the center of the cross, was a stylized fleur-de-lis with the initials P. S. !† Sophie,† he said,† this is the seal I told you about! The official device of the Priory of Sion.† She nodded. â€Å"As I told you, I saw the key a long time ago. He told me never to speak of it again.† Langdon's eyes were still riveted on the embossed key. Its high-tech tooling and age-oldsymbolism exuded an eerie fusion of ancient and modern worlds. â€Å"He told me the key opened a box where he kept many secrets.† Langdon felt a chill to imagine what kind of secrets a man like Jacques Sauniere might keep. What an ancient brotherhood was doing with a futuristic key, Langdon had no idea. The Priory existed for the sole purpose of protecting a secret. A secret of incredible power. Could this key have something to do with it? The thought was overwhelming. â€Å"Do you know what it opens?† Sophie looked disappointed. â€Å"I was hoping you knew.† Langdon remained silent as he turned the cruciform in his hand, examining it. â€Å"It looks Christian,† Sophie pressed. Langdon was not so sure about that. The head of this key was not the traditional long-stemmed Christian cross but rather was a square cross – with four arms of equal length – which predated Christianity by fifteen hundred years. This kind of cross carried none of the Christian connotations of crucifixion associated with the longer-stemmed Latin Cross, originated by Romans as a torture device. Langdon was always surprised how few Christians who gazed upon† the crucifix† realized their symbol's violent history was reflected in its very name:† cross† and† crucifix† came from the Latin verb cruciare – to torture. â€Å"Sophie,† he said,† all I can tell you is that equal-armed crosses like this one are considered peaceful crosses. Their square configurations make them impractical for use in crucifixion, and their balanced vertical and horizontal elements convey a natural union of male and female, making them symbolically consistent with Priory philosophy.† She gave him a weary look. â€Å"You have no idea, do you?† Langdon frowned. â€Å"Not a clue.† â€Å"Okay, we have to get off the road.† Sophie checked her rearview mirror. â€Å"We need a safe place to figure out what that key opens.† Langdon thought longingly of his comfortable room at the Ritz. Obviously, that was not an option. â€Å"How about my hosts at the American University of Paris?† â€Å"Too obvious. Fache will check with them.† â€Å"You must know people. You live here.† â€Å"Fache will run my phone and e-mail records, talk to my coworkers. My contacts are compromised, and finding a hotel is no good because they all require identification.† Langdon wondered again if he might have been better off taking his chances letting Fache arrest him at the Louvre. â€Å"Let's call the embassy. I can explain the situation and have the embassy send someone to meet us somewhere.† â€Å"Meet us?† Sophie turned and stared at him as if he were crazy. â€Å"Robert, you're dreaming. Your embassy has no jurisdiction except on their own property. Sending someone to retrieve us would be considered aiding a fugitive of the French government. It won't happen. If you walk into your embassy and request temporary asylum, that's one thing, but asking them to take action against French law enforcement in the field?† She shook her head. â€Å"Call your embassy right now, and they are going to tell you to avoid further damage and turn yourself over to Fache. Then they'll promise to pursue diplomatic channels to get you a fair trial.† She gazed up the line of elegant storefronts on Champs-Elysees. â€Å"How much cash do you have?† Langdon checked his wallet. â€Å"A hundred dollars. A few euro. Why?† â€Å"Credit cards?† â€Å"Of course.† As Sophie accelerated, Langdon sensed she was formulating a plan. Dead ahead, at the end of Champs-Elysees, stood the Arc de Triomphe – Napoleon's 164-foot-tall tribute to his own military potency – encircled by France's largest rotary, a nine-lane behemoth. Sophie's eyes were on the rearview mirror again as they approached the rotary. â€Å"We lost them for the time being,† she said,† but we won't last another five minutes if we stay in this car.† So steal a different one, Langdon mused, now that we're criminals. â€Å"What are you going to do?† Sophie gunned the SmartCar into the rotary. â€Å"Trust me.† Langdon made no response. Trust had not gotten him very far this evening. Pulling back the sleeve of his jacket, he checked his watch – a vintage, collector's-edition Mickey Mouse wristwatch that had been a gift from his parents on his tenth birthday. Although its juvenile dial often drew odd looks, Langdon had never owned any other watch; Disney animations had been his first introduction to the magic of form and color, and Mickey now served as Langdon's daily reminder to stay young at heart. At the moment, however, Mickey's arms were skewed at an awkward angle, indicating an equally awkward hour. 2:51 A. M. â€Å"Interesting watch,† Sophie said, glancing at his wrist and maneuvering the SmartCar around the wide, counterclockwise rotary. â€Å"Long story,† he said, pulling his sleeve back down. â€Å"I imagine it would have to be.† She gave him a quick smile and exited the rotary, heading due north, away from the city center. Barely making two green lights, she reached the third intersection and took a hard right onto Boulevard Malesherbes. They'd left the rich, tree-lined streets of the diplomatic neighborhood and plunged into a darker industrial neighborhood. Sophie took a quick left, and a moment later, Langdon realized where they were. Gare Saint-Lazare. Ahead of them, the glass-roofed train terminal resembled the awkward offspring of an airplane hangar and a greenhouse. European train stations never slept. Even at this hour, a half-dozen taxi sidled near the main entrance. Vendors manned carts of sandwiches and mineral water while grungy kids in backpacks emerged from the station rubbing their eyes, looking around as if trying to remember what city they were in now. Up ahead on the street, a couple of city policemen stood on the curb giving directions to some co nfused tourists. Sophie pulled her SmartCar in behind the line of taxis and parked in a red zone despite plenty of legal parking across the street. Before Langdon could ask what was going on, she was out of the car. She hurried to the window of the taxi in front of them and began speaking to the driver. As Langdon got out of the SmartCar, he saw Sophie hand the taxi driver a big wad of cash. The taxi driver nodded and then, to Langdon's bewilderment, sped off without them. â€Å"What happened?† Langdon demanded, joining Sophie on the curb as the taxi disappeared. Sophie was already heading for the train station entrance. â€Å"Come on. We're buying two tickets on the next train out of Paris.† Langdon hurried along beside her. What had begun as a one-mile dash to the U. S. Embassy had now become a full-fledged evacuation from Paris. Langdon was liking this idea less and less. CHAPTER 34 The driver who collected Bishop Aringarosa from Leonardo Da Vinci International Airport pulled up in a small, unimpressive black Fiat sedan. Aringarosa recalled a day when all Vatican transports were big luxury cars that sported grille-plate medallions and flags emblazoned with the seal of the Holy See. Those days are gone.Vatican cars were now less ostentatious and almost always unmarked. The Vatican claimed this was to cut costs to better serve their dioceses, but Aringarosa suspected it was more of a security measure. The world had gone mad, and in many parts of Europe, advertising your love of Jesus Christ was like painting a bull's-eye on the roof of your car. Bundling his black cassock around himself, Aringarosa climbed into the back seat and settled in for the long drive to Castel Gandolfo. It would be the same ride he had taken five months ago. Last year's trip to Rome, he sighed. The longest night of my life. Five months ago, the Vatican had phoned to request Aringarosa's immediate presence in Rome. They offered no explanation. Your tickets are at the airport.The Holy See worked hard to retain a veil of mystery, even for its highest clergy. The mysterious summons, Aringarosa suspected, was probably a photo opportunity for the Pope and other Vatican officials to piggyback on Opus Dei's recent public success – the completion of their World Headquarters in New York City. Architectural Digest had called Opus Dei's building† a shining beacon of Catholicism sublimely integrated with the modern landscape,† and lately the Vatican seemed to be drawn to anything and everything that included the word† modern.† Aringarosa had no choice but to accept the invitation, albeit reluctantly. Not a fan of the current papal administration, Aringarosa, like most conservative clergy, had watched with grave concern as the new Pope settled into his first year in office. An unprecedented liberal, His Holiness had secured the papacy through one of the most controversial and unusual conclaves in Vatican history. Now, rather than being humbled by his unexpected rise to power, the Holy Father had wasted no time flexing all the muscle associated with the highest office in Christendom. Drawing on an unsettling tide of liberal support within the College of Cardinals, the Pope was now declaring his papal mission to be† rejuvenation of Vatican doctrine and updating Catholicism into the third millennium.† The translation, Aringarosa feared, was that the man was actually arrogant enough to think he could rewrite God's laws and win back the hearts of those who felt the demands of true Catholicism had become too inconvenient in a modern world. Aringarosa had been using all of his political sway – substantial considering the size of the Opus Dei constituency and their bankroll – to persuade the Pope and his advisers that softening the Church's laws was not only faithless and cowardly, but political suicide. He reminded them that previous tempering of Church law – the Vatican II fiasco – had left a devastating legacy: Church attendance was now lower than ever, donations were drying up, and there were not even enough Catholic priests to preside over their churches. People need structure and direction from the Church, Aringarosa insisted, not coddling and indulgence! On that night, months ago, as the Fiat had left the airport, Aringarosa was surprised to find himself heading not toward Vatican City but rather eastward up a sinuous mountain road. â€Å"Where are we going?† he had demanded of his driver. â€Å"Alban Hills,† the man replied. â€Å"Your meeting is at Castel Gandolfo.† The Pope's summer residence? Aringarosa had never been, nor had he ever desired to see it. In addition to being the Pope's summer vacation home, the sixteenth-century citadel housed the Specula Vaticana – the Vatican Observatory – one of the most advanced astronomical observatories in Europe. Aringarosa had never been comfortable with the Vatican's historical need to dabble in science. What was the rationale for fusing science and faith? Unbiased science could not possibly be performed by a man who possessed faith in God. Nor did faith have any need for physical confirmation of its beliefs. Nonetheless, there it is, he thought as Castel Gandolfo came into view, rising against a star-filled November sky. From the access road, Gandolfo resembled a great stone monster pondering a suicidal leap. Perched at the very edge of a cliff, the castle leaned out over the cradle of Italian civilization – the valley where the Curiazi and Orazi clans fought long before the founding of Rome. Even in silhouette, Gandolfo was a sight to behold – an impressive example of tiered, defensive architecture, echoing the potency of this dramatic cliff side setting. Sadly, Aringarosa now saw, the Vatican had ruined the building by constructing two huge aluminum telescope domes atop the roof, leaving this once dignified edifice looking like a proud warrior wearing a couple of party hats. When Aringarosa got out of the car, a young Jesuit priest hurried out and greeted him. â€Å"Bishop, welcome. I am Father Mangano. An astronomer here.† Good for you.Aringarosa grumbled his hello and followed his host into the castle's foyer – a wide- open space whose decor was a graceless blend of Renaissance art and astronomy images. Following his escort up the wide travertine marble staircase, Aringarosa saw signs for conference centers, science lecture halls, and tourist information services. It amazed him to think the Vatican was failing at every turn to provide coherent, stringent guidelines for spiritual growth and yet somehow still found time to give astrophysics lectures to tourists. â€Å"Tell me,† Aringarosa said to the young priest,† when did the tail start wagging the dog?† The priest gave him an odd look. â€Å"Sir?† Aringarosa waved it off, deciding not to launch into that particular offensive again this evening. The Vatican has gone mad.Like a lazy parent who found it easier to acquiesce to the whims of a spoiled child than to stand firm and teach values, the Church just kept softening at every turn, trying to reinvent itself to accommodate a culture gone astray. The top floor's corridor was wide, lushly appointed, and led in only one direction – toward a huge set of oak doors with a brass sign. BIBLIOTECA ASTRONOMICA Aringarosa had heard of this place – the Vatican's Astronomy Library – rumored to contain more than twenty-five thousand volumes, including rare works of Copernicus, Galileo, Kepler, Newton, and Secchi. Allegedly, it was also the place in which the Pope's highest officers held private meetings†¦ those meetings they preferred not to hold within the walls of Vatican City. Approaching the door, Bishop Aringarosa would never have imagined the shocking news he was about to receive inside, or the deadly chain of events it would put into motion. It was not until an hour later, as he staggered from the meeting, that the devastating implications settled in. Six monthsfrom now! he had thought. God help us! Now, seated in the Fiat, Bishop Aringarosa realized his fists were clenched just thinking about that first meeting. He released his grip and forced a slow inhalation, relaxing his muscles. Everything will be fine, he told himself as the Fiat wound higher into the mountains. Still, he wished his cell phone would ring. Why hasn't the Teacher called me? Silas should have the keystone by now. Trying to ease his nerves, the bishop meditated on the purple amethyst in his ring. Feeling the textures of the mitre-crozier applique and the facets of the diamonds, he reminded himself that this ring was a symbol of power far less than that which he would soon attain. CHAPTER 35 The inside of Gare Saint-Lazare looked like every other train station in Europe, a gaping indoor- outdoor cavern dotted with the usual suspects – homeless men holding cardboard signs, collections of bleary-eyed college kids sleeping on backpacks and zoning out to their portable MP3 players, and clusters of blue-clad baggage porters smoking cigarettes. Sophie raised her eyes to the enormous departure board overhead. The black and white tabs reshuffled, ruffling downward as the information refreshed. When the update was finished, Langdon eyed the offerings. The topmost listing read: LYON – RAPIDE – 3:06 â€Å"I wish it left sooner,† Sophie said,† but Lyon will have to do.† Sooner? Langdon checked his watch 2:59 A. M. The train left in seven minutes and they didn't even have tickets yet. Sophie guided Langdon toward the ticket window and said,† Buy us two tickets with your credit card.† â€Å"I thought credit card usage could be traced by – â€Å"Exactly.† Langdon decided to stop trying to keep ahead of Sophie Neveu. Using his Visa card, he purchased two coach tickets to Lyon and handed them to Sophie. Sophie guided him out toward the tracks, where a familiar tone chimed overhead and a P. A. announcer gave the final boarding call for Lyon. Sixteen separate tracks spread out before them. In the distance to the right, at quay three, the train to Lyon was belching and wheezing in preparation for departure, but Sophie already had her arm through Langdon's and was guiding him in the exact opposite direction. They hurried through a side lobby, past an all-night cafe, and finally out a side door onto a quiet street on the west side of the station. A lone taxi sat idling by the doorway. The driver saw Sophie and flicked his lights. Sophie jumped in the back seat. Langdon got in after her. As the taxi pulled away from station, Sophie took out their newly purchased train tickets and tore them up. Langdon sighed. Seventy dollars well spent. It was not until their taxi had settled into a monotonous northbound hum on Rue de Clichy that Langdon felt they'd actually escaped. Out the window to his right, he could see Montmartre and the beautiful dome of Sacre-Coeur. The image was interrupted by the flash of police lights sailing past them in the opposite direction. Langdon and Sophie ducked down as the sirens faded. Sophie had told the cab driver simply to head out of the city, and from her firmly set jaw, Langdon sensed she was trying to figure out their next move. Langdon examined the cruciform key again, holding it to the window, bringing it close to his eyes in an effort to find any markings on it that might indicate where the key had been made. In the intermittent glow of passing streetlights, he saw no markings except the Priory seal. â€Å"It doesn't make sense,† he finally said. â€Å"Which part?† â€Å"That your grandfather would go to so much trouble to give you a key that you wouldn't know what to do with.† â€Å"I agree.† â€Å"Are you sure he didn't write anything else on the back of the painting?† â€Å"I searched the whole area. This is all there was. This key, wedged behind the painting. I saw the Priory seal, stuck the key in my pocket, then we left.† Langdon frowned, peering now at the blunt end of the triangular shaft. Nothing. Squinting, he brought the key close to his eyes and examined the rim of the head. Nothing there either. â€Å"I think this key was cleaned recently.† â€Å"Why?† â€Å"It smells like rubbing alcohol.† She turned. â€Å"I'm sorry?† â€Å"It smells like somebody polished it with a cleaner.† Langdon held the key to his nose and sniffed. â€Å"It's stronger on the other side.† He flipped it over. â€Å"Yes, it's alcohol-based, like it's been buffed with a cleaner or – † Langdon stopped. â€Å"What?† He angled the key to the light and looked at the smooth surface on the broad arm of the cross. It seemed to shimmer in places†¦ like it was wet. â€Å"How well did you look at the back of this key before you put it in your pocket?† â€Å"What? Not well. I was in a hurry.† Langdon turned to her. â€Å"Do you still have the black light?† Sophie reached in her pocket and produced the UV penlight. Langdon took it and switched it on, shining the beam on the back of the key. The back luminesced instantly. There was writing there. In penmanship that was hurried but legible. â€Å"Well,† Langdon said, smiling. â€Å"I guess we know what the alcohol smell was.† Sophie stared in amazement at the purple writing on the back of the key. 24 Rue Haxo An address! My grandfather wrote down an address! â€Å"Where is this?† Langdon asked. Sophie had no idea. Facing front again, she leaned forward and excitedly asked the driver,†Connaissez-vous la Rue Haxo?† The driver thought a moment and then nodded. He told Sophie it was out near the tennis stadium on the western outskirts of Paris. She asked him to take them there immediately. â€Å"Fastest route is through Bois de Boulogne,† the driver told her in French. â€Å"Is that okay?† Sophie frowned. She could think of far less scandalous routes, but tonight she was not going to be picky. â€Å"Oui.† We can shock the visiting American. Sophie looked back at the key and wondered what they would possibly find at 24 Rue Haxo. A church? Some kind of Priory headquarters? Her mind filled again with images of the secret ritual she had witnessed in the basement grotto ten years ago, and she heaved a long sigh. â€Å"Robert, I have a lot of things to tell you.† She paused, locking eyes with him as the taxi raced westward. â€Å"But first I want you to tell me everything you know about this Priory of Sion.† CHAPTER 36 Outside the Salle des Etats, Bezu Fache was fuming as Louvre warden Grouard explained how Sophie and Langdon had disarmed him. Why didn't you just shoot the blessed painting! â€Å"Captain?† Lieutenant Collet loped toward them from the direction of the command post. â€Å"Captain, I just heard. They located Agent Neveu's car.† â€Å"Did she make the embassy?† â€Å"No. Train station. Bought two tickets. Train just left.† Fache waved off warden Grouard and led Collet to a nearby alcove, addressing him in hushed tones. â€Å"What was the destination?† â€Å"Lyon.† â€Å"Probably a decoy.† Fache exhaled, formulating a plan. â€Å"Okay, alert the next station, have the train stopped and searched, just in case. Leave her car where it is and put plainclothes on watch in case they try to come back to it. Send men to search the streets around the station in case they fled on foot. Are buses running from the station?† â€Å"Not at this hour, sir. Only the taxi queue.† â€Å"Good. Question the drivers. See if they saw anything. Then contact the taxi company dispatcher with descriptions. I'm calling Interpol.† Collet looked surprised. â€Å"You're putting this on the wire?† Fache regretted the potential embarrassment, but he saw no other choice. Close the net fast, and close it tight. The first hour was critical. Fugitives were predictable the first hour after escape. They always needed the same thing. Travel.Lodging.Cash.The Holy Trinity. Interpol had the power to make all three disappear in the blink of an eye. By broadcast-faxing photos of Langdon and Sophie to Paris travel authorities, hotels, and banks, Interpol would leave no options – no way to leave the city, no place to hide, and no way to withdraw cash without being recognized. Usually, fugitives panicked on the street and did something stupid. Stole a car. Robbed a store. Used a bank card in desperation. Whatever mistake they committed, they quickly made their whereabouts known to local authorities. â€Å"Only Langdon, right?† Collet said. â€Å"You're not flagging Sophie Neveu. She's our own agent.† â€Å"Of course I'm flagging her!† Fache snapped. â€Å"What good is flagging Langdon if she can do all his dirty work? I plan to run Neveu's employment file – friends, family, personal contacts – anyone she might turn to for help. I don't know what she thinks she's doing out there, but it's going to cost her one hell of a lot more than her job!† â€Å"Do you want me on the phones or in the field?† â€Å"Field. Get over to the train station and coordinate the team. You've got the reins, but don't make a move without talking to me.† â€Å"Yes, sir.† Collet ran out. Fache felt rigid as he stood in the alcove. Outside the window, the glass pyramid shone, its reflection rippling in the windswept pools. They slipped through my fingers.He told himself to relax. Even a trained field agent would be lucky to withstand the pressure that Interpol was about to apply. A female cryptologist and a schoolteacher? They wouldn't last till dawn. CHAPTER 37 The heavily forested park known as the Bois de Boulogne was called many things, but the Parisian cognoscenti knew it as† the Garden of Earthly Delights.† The epithet, despite sounding flattering, was quite to the contrary. Anyone who had seen the lurid Bosch painting of the same name understood the jab; the painting, like the forest, was dark and twisted, a purgatory for freaks and fetishists. At night, the forest's winding lanes were lined with hundreds of glistening bodies for hire, earthly delights to satisfy one's deepest unspoken desires – male, female, and everything in between. As Langdon gathered his thoughts to tell Sophie about the Priory of Sion, their taxi passed through the wooded entrance to the park and began heading west on the cobblestone cross fare. Langdon was having trouble concentrating as a scattering of the park's nocturnal residents were already emerging from the shadows and flaunting their wares in the glare of the headlights. Ahead, two topless teenage girls shot smoldering gazes into the taxi. Beyond them, a well-oiled black man in a G-string turned and flexed his buttocks. Beside him, a gorgeous blond woman lifted her miniskirt to reveal that she was not, in fact, a woman. Heaven help me! Langdon turned his gaze back inside the cab and took a deep breath. â€Å"Tell me about the Priory of Sion,† Sophie said. Langdon nodded, unable to imagine a less congruous a backdrop for the legend he was about to tell. He wondered where to begin. The brotherhood's history spanned more than a millennium†¦ an astonishing chronicle of secrets, blackmail, betrayal, and even brutal torture at the hands of an angry Pope. â€Å"The Priory of Sion,† he began,† was founded in Jerusalem in 1099 by a French king named Godefroi de Bouillon, immediately after he had conquered the city.† Sophie nodded, her eyes riveted on him.† King Godefroi was allegedly the possessor of a powerful secret – a secret that had been in his family since the time of Christ. Fearing his secret might be lost when he died, he founded a secret brotherhood – the Priory of Sion – and charged them with protecting his secret by quietly passing it on from generation to generation. During their years in Jerusalem, the Priory learned of a stash of hidden documents buried beneath the ruins of Herod's temple, which had been built atop the earlier ruins of Solomon's Temple. These documents, they believed, corroborated Godefroi's powerful secret and were so explosive in nature that the Church would stop at nothing to get them.† Sophie looked uncertain. â€Å"The Priory vowed that no matter how long it took, these documents must be recovered from the rubble beneath the temple and protected forever, so the truth would never die. In order to retrieve the documents from within the ruins, the Priory created a military arm – a group of nine knights called the Order of the Poor Knights of Christ and the Temple of Solomon.† Langdon paused. â€Å"More commonly known as the Knights Templar.† Sophie glanced up with a surprised look of recognition. Langdon had lectured often enough on the Knights Templar to know that almost everyone on earth had heard of them, at least abstractedly. For academics, the Templars' history was a precarious world where fact, lore, and misinformation had become so intertwined that extracting a pristine truth was almost impossible. Nowadays, Langdon hesitated even to mention the Knights Templar while lecturing because it invariably led to a barrage of convoluted inquiries into assorted conspiracy theories. Sophie already looked troubled. â€Å"You're saying the Knights Templar were founded by the Priory of Sion to retrieve a collection of secret documents? I thought the Templars were created to protect the Holy Land.† â€Å"A common misconception. The idea of protection of pilgrims was the guise under which the Templars ran their mission. Their true goal in the Holy Land was to retrieve the documents from beneath the ruins of the temple.† â€Å"And did they find them?† Langdon grinned. â€Å"Nobody knows for sure, but the one thing on which all academics agree is this: The Knights discovered something down there in the ruins†¦ something that made them wealthy and powerful beyond anyone's wildest imagination.† Langdon quickly gave Sophie the standard academic sketch of the accepted Knights Templar history, explaining how the Knights were in the Holy Land during the Second Crusade and told King Baldwin II that they were there to protect Christian pilgrims on the roadways. Although unpaid and sworn to poverty, the Knights told the king they required basic shelter and requested his permission to take up residence in the stables under the ruins of the temple. King Baldwin granted the soldiers' request, and the Knights took up their meager residence inside the devastated shrine. The odd choice of lodging, Langdon explained, had been anything but random. The Knights believed the documents the Priory sought were buried deep under the ruins – beneath the Holy of Holies, a sacred chamber where God Himself was believed to reside. Literally, the very center of the Jewish faith. For almost a decade, the nine Knights lived in the ruins, excavating in total secrecy through solid rock. Sophie looked over. â€Å"And you said they discovered something?† â€Å"They certainly did,† Langdon said, explaining how it had taken nine years, but the Knights had finally found what they had been searching for. They took the treasure from the temple and traveled to Europe, where their influence seemed to solidify overnight. Nobody was certain whether the Knights had blackmailed the Vatican or whether the Church simply tried to buy the Knights' silence, but Pope Innocent II immediately issued an unprecedented papal bull that afforded the Knights Templar limitless power and declared them† a law unto themselves† – an autonomous army independent of all interference from kings and prelates, both religious and political. With their new carte blanche from the Vatican, the Knights Templar expanded at a staggering rate, both in numbers and political force, amassing vast estates in over a dozen countries. They began extending credit to bankrupt royals and charging interest in return, thereby establishing modern banking and broadening their wealth and influence still further. By the 1300s, the Vatican sanction had helped the Knights amass so much power that Pope Clement V decided that something had to be done. Working in concert with France's King Philippe IV, the Pope devised an ingeniously planned sting operation to quash the Templars and seize their treasure, thus taking control of the secrets held over the Vatican. In a military maneuver worthy of the CIA, Pope Clement issued secret sealed orders to be opened simultaneously by his soldiers all across Europe on Friday, October 13 of 1307. At dawn on the thirteenth, the documents were unsealed and their appalling contents revealed. Clement's letter claimed that God had visited him in a vision and warned him that the Knights Templar were heretics guilty of devil worship, homosexuality, defiling the cross, sodomy, and other blasphemous behavior. Pope Clement had been asked by God to cleanse the earth by rounding up all the Knights and torturing them until they confessed their crimes against God. Clement's Machiavellian operation came off with clockwork precision. On that day, countless Knights were captured, tortured mercilessly, and finally burned at the stake as heretics. Echoes of the tragedy still resonated in modern culture; to this day, Friday the thirteenth was considered unlucky. Sophie looked confused. â€Å"The Knights Templar were obliterated? I thought fraternities of Templars still exist today?† â€Å"They do, under a variety of names. Despite Clement's false charges and best efforts to eradicate them, the Knights had powerful allies, and some managed to escape the Vatican purges. The Templars' potent treasure trove of documents, which had apparently been their source of power, was Clement's true objective, but it slipped through his fingers. The documents had long since been entrusted to the Templars' shadowy architects, the Priory of Sion, whose veil of secrecy had kept them safely out of range of the Vatican's onslaught. As the Vatican closed in, the Priory smuggled their documents from a Paris preceptory by night onto Templar ships in La Rochelle.† â€Å"Where did the documents go?† Langdon shrugged. â€Å"That mystery's answer is known only to the Priory of Sion. Because the documents remain the source of constant investigation and speculation even today, they are believed to have been moved and rehidden several times. Current speculation places the documents somewhere in the United Kingdom.† Sophie looked uneasy. â€Å"For a thousand years,† Langdon continued,† legends of this secret have been passed on. The entire collection of documents, its power, and the secret it reveals have become known by a single name – Sangreal. Hundreds of books have been written about it, and few mysteries have caused as much interest among historians as the Sangreal.† â€Å"The Sangreal? Does the word have anything to do with the French word sang or Spanish sangre – meaning ‘blood'?† Langdon nodded. Blood was the backbone of the Sangreal, and yet not in the way Sophie probably imagined. â€Å"The legend is complicated, but the important thing to remember is that the Priory guards the proof, and is purportedly awaiting the right moment in history to reveal the truth.† â€Å"What truth? What secret could possibly be that powerful?† Langdon took a deep breath and gazed out at the underbelly of Paris leering in the shadows.† Sophie, the word Sangreal is an ancient word. It has evolved over the years into another term†¦ a more modern name.† He paused. â€Å"When I tell you it's modern name, you'll realize you already know a lot about it. In fact, almost everyone on earth has heard the story of the Sangreal.† Sophie looked skeptical. â€Å"I've never heard of it.† â€Å"Sure you have.† Langdon smiled. â€Å"You're just used to hearing it called by the name ‘Holy Grail. ‘†

What ideas on materialism emerge from Mrs Faust Essays

What ideas on materialism emerge from Mrs Faust Essays What ideas on materialism emerge from Mrs Faust Paper What ideas on materialism emerge from Mrs Faust Paper this links cause he uses his money to buy pleasure from other sources (prostitution). In the ninth stanza of Mrs. Faust she says she spun gold from hay, had a facilitate, had my breasts enlarged, my buttocks tightened. This Is showing more materialistic values Decease seen uses all near money not Tort good or to Nell anyone In need out to simply make herself look and feel better. Then in the penultimate stanza she shows us Just how much material wealth she and Faust had between them the yacht, the several homes, the Lear Jet, the helipad, the loot et get. This links the two points together in that the Faustus had so much material wealth and yet some people in this world cannot afford a loaf of bread. Therefore, Duffy is showing us that the couple did not care about the consequences if it made them obscenely rich. In the thirteenth stanza she is describing to the reader how the devil came to take Faust away, At this I heard a serpents hiss, tasted evil, knew its smell, as scaly devil hands poked up right through the terracotta tiles at Faustus bare feet. She was describing how the devil, a preternatural being, was taking her love away and the only thing she could think about was the damage that might be caused to her terracotta tiles. I think this portrays how much she cared about Faust compared to her Materialistic wealth because instead of talking about her love being taken by the devil she instead comments on her terracotta tiles (material wealth) being damaged by the devil. In the Final Stanza she talks about when she got ill, When I got Ill, it hurt like hell. I bought a kidney with my credit card, and then I got well. Faust is in hell and there are people wing with no hope of getting an organ transplant and Mrs. Faust simply bought a spare organ with her Credit Card. This shows us that she takes for granted being rich and does not care that in order for her to live in such luxury she had to give up her husbands life. To conclude, Mrs. Faust does not care at all for her husbands life if it makes her rich and these values also occur in Mrs. Midas because Mrs. Midas in the end did not care for her Husband but was simply angry at him for being emotionless towards her. She then took all the gold from the house anyway and used it to make her own life better.

Why you should consider a reverse mentorship

Why you should consider a reverse mentorship If you’ve been in the workforce for a while, you’re more than likely familiar with the concept of internships and how they benefit both the interns and the companies they work for. For many of us, it’s a tested and time-honored rite of passage: when starting out in our chosen fields, we â€Å"pay our dues† by providing free or low cost assistance to a mentor or team who, in turn, teaches us the job and its responsibilities, as well as the industry we’re looking to break into. We got free work experience and exposure to the field (and with a little luck a job at the end of the process), and the company got low cost help. It’s a win-win setup. However, something new has been flying under the radar in more progressive companies that’s starting to get more widespread attention- reverse mentorships. No, this doesn’t entail middle-aged employees returning to the classroom to learn how to be students. Instead, it’s an intriguing concept that typically involves millennials- young adults who are at the beginning of their career paths- working alongside older individuals to, well, mentor them!Get built-in, on-the-job tech training.What could a seasoned and established individual who’s farther along in his or her career journey learn from someone who’s just starting out? Plenty, it turns out! Millennials typically have their fingers on the pulse of the latest and greatest in tech, and can help keep their older, â€Å"late to the game† counterparts up to date. No longer do industry veterans need to secretly pretend that they’re up on all the latest tech and fumble along through it, hoping that no one gets wise to their ineptitude- today, they can get shame-free coaching from a reverse mentor!Millennials also have a great handle on how to use tools like social media, audio, and video to capture the attention of the younger generation- a key demographic for a variety of industries, pro ducts, and advertisers- which is something that older adults tend to struggle with. So, if you’re clueless about using Twitter or Instagram effectively to promote your business, a reverse mentor can help you see the light!Learn how to reach out to younger demographics.These days, it isn’t uncommon for companies to hire younger adults (and individuals even younger) to help them strategize their marketing campaigns targeted at this fickle and easily distracted age group. Sure, older adults can spend their time and effort guessing at what seems young and fresh, but today’s younger generation is very good at spotting phonies and pretenders, and turning away when they encounter something that sets off their disingenuous alarms. Who better to provide ideas for grabbing the attention of younger consumers than those closest to the age demographic?Strategize how to attract fresh talent.Reverse mentors can also help companies stay fresh and adopt progressive strategies fo r attracting and retaining a new generation of employees, and can even offer fresh perspectives on the industries they’re focused in. Younger individuals also usually have an abundance of creative new ideas that can help businesses stand out from their static, slower-moving competition- a valuable resource, indeed.Despite the seemingly obvious advantages to having a reverse mentor, the idea does have its critics. Some people feel like reverse mentoring only feeds the egos and sense of entitlement that the younger generation has become infamous for having. They also claim that it’s an unnecessary and irresponsible way to destroy the standard chain of respect and authority that traditional business are used to operating in.However, there is a growing consensus that both older and younger generations have something to learn from the other side, and that the most effective mentorship arrangement would allow each side to share its perspective, knowledge, and experience with the other, to the benefit of everyone involved. So, regardless of what side of the mentorship coin you’re on, consider taking advantage of a reverse mentorship arrangement to help you achieve your goals!

The Rise of Science and the Aesthetic Reaction to It Essay

The Rise of Science and the Aesthetic Reaction to It - Essay Example The reaction to Darwin and Freud (whose psychological theory did not as much as put forward the rationality of man, rather that he is driven by irrational forces) was seemingly two-fold in fin de siecle literature. First, was the depiction of the separation of inner and outward character (a painting that serves as the mirror of the soul of a debauched, perfect-looking man in Oscar Wilde's Dorian Gray or a Mr. Hyde, the monster to the respectable Dr. Jekyll in the famous novel by Robert Louis Stevenson) whose reconciliation would not happen in actual life but would be brought about only by death. Second, was the cold-blooded, detached view of life as a field where one can experiment and perform whose boundaries need not be set by society, but by only the individual. In both cases, the case of appreciation for what constitutes beauty or in general, what constitutes art, is laid at the mercy of a conscious or unconscious imitation of the scientific method. But does science lends itself to the cause of art or the appreciation of what is true or beautiful Walter Pater who influenced Oscar Wilde as a student, wrote in his essay, Style that literature's enterprise "may well lie in the naturalization of the vocabulary of science, so only it be under the eye of a sensitive scholarship--in a liberal naturalisation of the ideas of science too, for after all the chief stimulus of good style is to possess a full, rich, complex matter to grapple with" (Pater p. 16). In the novel The Picture of Dorian Gray, the "full, rich, complex matter to grapple with" has been introduced to Dorian Gray by Lord Henry Wotton whose fascination with the methods of science was applied to the investigation of human life (Wilde chapter 3). That the main character in the novel would indeed take literally Lord Wotton's advice that "the only way to the only way to get rid of a temptation is to yield to it" (Wilde chapter 2), is shown how seemingly the material of life is under the control of the in dividual - much like a scientist is in control of laboratory. The difference lies of course is that a scientist what experiments from are inanimate - not creatures of feelings, sensibilities or complex passions. What Dr. Jekyll at the start enjoyed over the safety of limiting his evil side to Mr. Hyde, would unravel when the evil side eventually took over his own body - the case of the material devouring the creator or the artist. The aesthete character as depicted in fin de siecle literature also shows how detachment and obsession are the contradictory attitudes towards beauty. It is not as much as morality or insistence on the weight of value has no part in it, as much as beauty seems to be confined in the recesses of the mind, its purity guarded and valued for its own sake - only to be wasted away when its feet touches the ground. In Dorian Gray, as much as the tiring paradoxes mouthed by Lord Wotton, beauty is only in the mind, and its attainment is through its defilement and destruction in real experience. To a certain extent, the character of Gilbert Osmond who fascinated the main character enough to fall into his trap in Henry James' A Portrait of Lady is a fine specimen of such an

Building team Essay Example | Topics and Well Written Essays - 500 words

Building team - Essay Example Probably, the unsuccessful managers are leaving it up to the team members to select the leader amongst themselves. When this happens, the process of selection of the team leader may become complicated as there is just one post and contenders are many. In other cases, everybody is reluctant to be a leader since more authority comes with more responsibility. When the benefits of having more authority are not much, there is not much attraction in becoming a leader. To avoid these complications, it is a good practice for the manager to select the leader from among the team members himself/herself. In addition to simplifying the process, this would add to the credibility and reliability of the leader in the view of the followers since the manager placed his/her confidence in the individual selected as the leader. Selection of the team members is a technical process, and requires knowledge of the individual talents of members by the selector to form the right team. The managers should select diverse team members having different kinds of skills and talents to avoid repetition of skills and fights over roles (National Institute for Urban School Improvement, 2005, p. 3). Conflict management in teamwork is of prime importance. A team comprises people with conflicting views and opinions, so they may frequently erupt into dysfunctional conflicts, thus, affecting their own, as well as the team’s, performance as a whole in a negative way. Goof practices in conflict management are full-time monitoring, and establishment of a formal or informal code of ethics from day one. It is primarily the leader’s responsibility to explain the followers which behaviors are intolerable or unacceptable and might incur the executor’s liabilities and/or penalties and what behaviors are good enough to make the executor entitled to reward and appreciation. In addition, it is useful to document a procedure of arriving at a solution in times of conflict